At this year's SCMS conference, Dr. Scahill joined a panel of scholars on the near-bicentennial of Mary Shelley's Frankenstein to celebrate the many film adaptations of her groundbreaking work. In "Frankenstein Across Time, Genres, and Culture," Prof. Khan presented on the rhetoric of "agri-horror" documentaries like Food, Inc which employ the Frankensteinian as means of framing the debate over GMOs. Scholar Subha Das Mollick discussed the unique features of Bengali science f
Students in Dr. Scahill's upper division "Film Theory" class presented their original research in a conference-style setting on the theme of "Cinema Paranoia" in the Auraria Library. By presenting their works-in-progress in a public forum, students considering graduate study were able to experience a conference format in a supportive environment.
An abbreviated version of their final paper, the students were asked to take an intersectional approach to the study of film by c
At this year's Literature/Film Association conference in New Orleans, Dr. Scahill chaired a panel on the role of gender in film adaptation. Each of the three papers specifically examined masculinity, race, and homosociality in Hollywood cinema. Co-panelist Sarah Ropp addressed the Oliver Stone film Savages, while scholars Jodi Van der Horn-Gibson and Janice Kelly provided a retrospective on the film representation of black masculinity over the last century. In his paper "
Students in Dr. Scahill's "Studies in Censorship" class presented their original research on the very timely topic of art censorship on Wednesday, May 2 in the Auraria Library. By presenting their works-in-progress in a public forum, students considering graduate study were able to experience a conference format in a supportive environment.
The topics included literature as well as film, and the issues concerning political dissent, sexuality, public space, and free speech p